An Artist Portfolio & Blog of Manish Harijan

Manish work is inspired by a childhood of hardship, social domination, cast discrimination, torture, disease and poverty. His sees his work as the voice of the speechless which he tries to represent in a contemporary way. In life he has struggled to exist within the traditional social boundaries, the discrimination in society and the traditional perspective of cast still dominant in Nepal today, especially within the lives of ‘the untouchables.’

India Art Fair, 2016

Last year was a difficult one for Nepal. An earthquake in April killed over 8,000 people and caused widespread devastation. A few months later, the decision of Nepal’s top political parties to push through a Constitution after years of wrangling led to massive protests by marginalised groups like Madhesis and Janajatis who believe that the new charter discriminates against them.

This was, of course, rich material for the country’s artists to engage with and to create visual commentaries about. Among them are Manish Harijan whose work was on display at the eighth edition of the India Art Fair, which ended on Sunday.

Manish Harijan stands next to his installation Auspicious Suspicious. (Picture courtesy: Facebook.com/nepalartcouncilktm)

Manish Harijan stands next to his installation Auspicious Suspicious. (Picture courtesy: Facebook.com/nepalartcouncilktm)

Circle of life

From afar, Harijan’s installation titled Auspicious Suspicious looked pretty straightforward – luminous golden skulls mounted on golden plates on wooden blocks. But a closer look revealed the skulls had maggoty brains. An ever closer look showed that the brains were actually made of rice, lentils and corn.

Harijan said that the installation explored the notion of binary oppositions – the skull representing death offset by food grains symbolising life and regeneration.

“Through this installation I’m trying to represent the binaries that exist within our society – positive and negative, good and bad, the devil and the saint,” he said. “I’ve used the grain and the wood to symbolise life, positiveness and the strength to survive.”

Identity and politics

Auspicious Suspicious is also a testament to the circle of life, a theme that particularly resonates in Nepal after the death and destruction wrought by the April earthquake. “We believe in life after death,” said Harijan. “So in this work too there is life after devastation.”

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